Christmas is less than two weeks away, but before that happens, I'm hitting the big 3-1! Big huwaw, can you believe it?

Anyway, I'm not really the type who makes wishlists, nor really asks for anything much, but please, indulge me just this once. Or better yet, please do make me happy and get at least one of the following for me. Hahaha!

My birthday/Christmas wishlist (in random order):

    • A ticket to the Philippine Madrigal Singers concert in CCP on the weekend of my birthday
    • A new Starbucks tumbler
    • An iPod Touch 5th generation (or 4th gen would be fine, though it annoys me to death when people call it an iTouch. WTH?)
    • An iPhone wouldn't hurt also, or a Samsung Galaxy S3
    • A more decent digital camera
    • A new pair of earphones (not earplugs, nor headphones, please)
    • A 1-terabyte hard drive
    • A smaller laptop that I can lug around instead of my 17-inch one
    • That pretty strapless little black dress that I saw at the Ramp
    • A pair of classic black Dr. Martens boots
    • A Bop It! game
    • A Cluedo board game
    • A navy blue Longchamp bag
    • A decent makeup kit (as I really need to learn to do my own makeup for certain events. Yeah.)
    • An "I A classic Mickey Mouse stuffed toy (yes, the one where he's just wearing his trademark red shorts and yellow shoes)A weekend at a spa would be nice
    • Another sponsor to continue my ballroom classes. PLEASE. I really do need this.
    • How about that "real date" I had mused about on Twitter? Hahaha!

How's everyone's day going?

Posted by tymeless on December 12, 2012 at 07:52 PM | How's my acting?

I've been coming in to the studio every day this past week. It's been about 5 months since I last danced at least an hour a day. And for this week, I've been doing it for 2 hours daily.

Thursday of last week, Brando made an announcement in class that there will be an exam for us. An examiner from the UK will be coming in to watch us dance and grade us for our respective levels. At first, I thought they were going to delay my own exam for next month, but Brando would have to check first if I'm already ready to take it.

So I came in the following day, as our pre-assigned partners were all coming to the studio. My partner was Alvin, who I remembered competed with Myrone in the individual male Latin category in last month's PDTA syllabus competition. I still needed a lot of work on my technique, and Alvin focused on my weaknesses with Brando checking up on all of us. When the practice session was over, Brando finally said that I can take the Bronze exam along with the rest of the girls in the class. Being the only Filipina in the class (most of them are Korean ladies, and then there's one Japanese lady), it was easy for the teacher to give me notes on the spot, pinpointing all my mistakes, while he had to wait for the others to listen to him as a group so they could also get their own notes. Because I was easily singled out all the time, I still felt like a novice in class.

So because I needed so much work, I decided to come to the studio every day, even for Le Bran. I can work a little on my technique during dance fitness, then polish wherever needed during the Bronze Bar class or during practice sessions with Alvin. There are times when I get so frustrated because I still don't have the consistency in my footwork, and I even felt kind of sorry for Alvin for getting stuck with me as his partner. But props to him for being so patient with me.

When I had rehearsed after Le Bran yesterday, we (one of the other Korean ladies also came in to practice with her own partner), I was finally told to actually perform, as I always had a look of concentration because I was thinking of the technique, so I tend to forget to smile. I needed to commit more on my performance, forget about trying to do the right technique, and just let go.

Most of us came to the studio today (Saturday) to rehearse the sequence of the exam program, as the emcee would be there to rehearse as well. I was kind of overwhelmed because the other scholars were there too, but I guess I was glad that I won't be the only one taking the Latin Bronze exam. Imagine what it would feel like if I was in Mitzi's place, who was the lone entry in Bronze Bar.

Anyway, I finally got the feel of the actual floor that we would be dancing on, and we rehearsed our entrances and exits. I have to admit, I felt kind of confident when I made my entrance earlier, but I sure hope I can do it as well on Tuesday. So many emotions are battling it out inside me now that the big day is nearing. Excited, nervous, anxious, scared even.

But I can do this. I know I can.

Posted by tymeless on December 8, 2012 at 11:53 PM | How's my acting?

A number of friends and I have noticed that almost all of my blog posts lately have been about my ballroom dancing experiences. Some of you are probably sick of reading about them already, hahaha.

Ever since I had shifted from working backstage in theater to learning how to dance ballroom, I've been talking nonstop about it. I can't help it. I've fallen in love with the craft as much as I fell in love with theater arts.

Met up with Erik yesterday afternoon to check out this new little cafe in our village called Kat's Cafe. It was pretty small, with only a couple of booths inside, then all the rest of the tables were outside. So many quirky, kitschy stuff were inside, especially the books! They had so many pop-up books, trivia books, and lots of others. It took us quite a while going over a Q&A trivia book, and then we read the Aladdin pop-up book to refresh our memory on the original Arabian tale (for the few who can remember, there was also a lesser genie in the story, the Genie of the Ring).

The topic of auditions came up in one of our conversations, as the Miss Saigonauditions had ended last week, and there's this week's auditions for the upcoming productions under Atlantis. Erik had mentioned something that Robbie had told them at one audition. That people get nervous during auditions because they're already aiming for a role, not realizing that audition panelists actually judge you as yourself as a performer, unlike in plays were audiences already judge a character.

Very interesting indeed.

I guess that's why there are some moments in workshops and workshop recitals that I get nervous, and other times that I'm not at all. During the latter, I guess it's because I'm already confident in my performance that I don't have to worry much about the character. But whoops, I guess I haven't had much experiences in auditions, though.

Then it felt different for me when I had danced in my first dance recital. I had no character to hide behind, as I was performing as myself. So if I looked funny or stupid or awkward, it's because that's how I feel as myself and not as any role or character.

During a chat with Myrone last night, he reminded me not to feel so insecure about myself about my dancing, because that will be my prime weakness that will make me lose my focus. So I guess it goes back to being confident in myself, and as myself.

Let's talk about some other kind of randomness, shall we? I haven't done these kinds of posts in a while.

Yeah.

Anyway.

I've forgotten what it felt like to have that kind of crush. It's like being back in high school. There's the giddy feeling when you think and remember that person, and also that different kind of giddy feeling when you're with him.

I don't think it was under the influence of other friends' teasing us together, but I ended up liking this friend that I already knew for years.

I'm someone you would call "torpe," as I would be the type who would never admit out loud about who I like, and even try to let that person know that I'm interested. But considering all the little leaps of faith that I had done this year, I decided to do something different.

So I told him.

And got friend-zoned.

I already expected it, as he had mentioned one night during one of our previous out-of-town trips with a bunch of friends about not really looking for relationships right now. He did say that I'm one person he was very comfortable with and love hanging out and talking to, that he's very happy to have me as a friend that he likes and trusts. Wow, so showbiz, but that's the way the cookie crumbles.

The funny part of it all? I had admitted all that through text, just a few days after we had gotten back from another out-of-town trip because of work. I had not seen him in person after that.

Until this weekend.

I was so relieved that things weren't all that awkward between us after my crazy bout of honesty. It's like nothing had happened. Still the same old us, good vibes and all. But of course, the giddy feeling is still there. I just enjoyed the moment. That's just how it is, I guess. I'm contented enough with what's already there.

It's been a while since I've been this honest in a blog entry. It feels really great to write like this again.

So how are you, dear reader? Thanks for dropping by and don't be shy to leave a comment.

Posted by tymeless on November 26, 2012 at 05:31 PM | How's my acting?

"If you master the syllabus, I assure you, you will not be sorry."

Those were some of the words from PDTA (Philippine Dance Teachers Association) chairman Ma. Cecilia Katigbak during her welcome remarks at yesterday's 1st PDTA Syllabus Competition.

As I recently just started taking a syllabus class, I was pretty curious as to what a syllabus competition was like. Julius had once explained to me that the choreo that you had to dance was what you had learned in your syllabus class, but that was the only extent of what I know.

Because Ian's workshop hasn't pushed through yet, my Sunday yesterday was free. So off I went to the Meralco multi-purpose hall to watch the competition. It was pretty much a five-minute walk from the theater, where Atlantis Productions' Aladdin is currently showing.

 

 

 

It felt different from the 2 major dancesport competitions that I've watched. First, it was basically a smaller venue, with fewer participants. And second, there was the appearance of the participants' costumes. Simple dresses, no adornments whatsoever, unlike the glamorous sparkly and feathery costumes at the the DSCPI competitions.

For a change, it was comforting to see more familiar faces to say hello to, as they were the same people I see in Dancing Queen studios. I got to watch Karen, Myrone, Joemari and Alvin practice their routines while waiting for the competition to start.

After 4 years since the first time I saw the PDTA people at the Pasinaya festival in CCP, I saw them in person again. Ednah Ledesma, PDTA's vice president, was the one who taught us the chachacha for one half hour segment. Then there's Ariel Llanillo, PDTA's president. He was the one who approached me that fateful day at the Pasinaya, asking me if I wanted to dance competitively. I sort of blew him off that day because I was in a rush to meet my other friends and see all the other events of the festival, even though I was really interested already that time. Plus I didn't have the time or the budget to go for it. So to Sir Ariel, even if you don't remember me, if you chance upon this post, my apologies. I really wanted to dance ballroom all this time, and I only made the opportunity for myself this year.

So anyway, watching the syllabus competition was quite interesting. It was much simpler than the competitions I've watched, as the participants just seem to really basically just dance the choreography or routine that was part of their syllabus classes. Thanks to Ian, despite the fact that I'm still in the bronze level, I already somewhat knew half the syllabus of the gold. Myrone had casually asked me at one point why I wasn't competing, and i just gave a nervous laugh and told him that I don't think I'm ready to compete yet. What I couldn't believe was that for some of them, that syllabus competition was their first time ever to compete, including him. Seriously? I didn't look that way while I was watching them dance. Anyway, considering my previous (open) training, I don't really mind not competing yet. I guess I just want to finish all the medal programs first from bronze to gold.

 

Joemari and his partner during the (youth) standard competition.

 

Myrone and Karen during the (adult) Latin competition.

 

Dancing the rumba.

 

Alvin and Myrone dancing the samba for the 1-dance individual category.

Like I had said in my post on Instagram yesterday, every dancesport competition that I watch is quite the learning experience. And I'm also glad that I'm also making new friends in the process.

Posted by tymeless on November 19, 2012 at 06:22 PM | How's my acting?

When I first started taking ballroom classes, it was basically an open class, with me being the only regular student who attended the class everyday. Because of that, the lessons depended on who were attending on a particular day. If I was the only student, we'd keep moving forward on what I've been learning already, and focus on some techniques. If another occasional student was there (with the exception of Abby, Ate Helen, and sometimes Bernard), we'd tackle something different and new. So in a way, my lessons were kind of inconsistent.

 

 

 (Photos courtesy of Big Shift DANKA)

 
I've only recently heard of the syllabus classes in ballroom through Julius, when I first attended his sampling class at Big Shift (though I have no idea why they got another ballroom teacher while I was the only regular student). When I did a little bit of research, I realized that some of the lessons that I've been learning as a beginner are already way too advanced steps and techniques.
 
I decided to take the syllabus class that Bran's teaching in Dancing Queen. In previous blog entries, I had already mentioned that the Bronze bar class was starting, and considering I haven't studied under them for the Bronze class, I had to catch up via one-on-one private lessons.
 
On Tuesday of last week, the class after Le Bran was actually a review of the entire Bronze syllabus, so I got to catch up on all 5 dances. I still have a huge weakness for the samba, as I only got to run through the entire syllabus routine right then and there, but I managed to barrel through. It was also my very first time to dance the paso doble, which was kind of a challenge for me. Another challenge that day was after every time we dance, we change our partners. The connection is different with every person who leads us.
 
Classes started Thursday of last week, but I didn't get to attend. I only got to attend this past Tuesday. We studied the chachacha, and for some reason, I couldn't quite catch on as well as the rest (the other students were Korean ladies). It seems that I can't put everything together simultaneously--my posture, pushing the floor with my feet, the hip movements and twisting of the body, and connecting with the partner through slight pushes and pulls. I felt like such a newbie all over again. It was like I'm Jody in the movie Center Stage. I know the basic footwork, but in terms of technique, I still have so much to learn.
 
On Thursday morning, I wanted to redeem myself. I also couldn't help but pray and hope that we do the rumba instead of the chachacha. After Le Bran class, I couldn't help but smile widely when Bran said that we'll be studying the rumba that day.
 
There were actually key points that I learned about the technique that wasn't discussed in detail yet in my classes with Ian, so I was glad to pick it up. Then Bran actually commended my curacha/Cuban rock, as I did it with ease. He had no idea that I've been practicing that everyday for almost 8 months now. After that, we worked on a bit more technique as we danced the syllabus routine until the spot turns, changing partners after each dance.
 
Then we were given "homework." Bran showed the basic rumba walk that Ian had been teaching me, with a lot more technique. What Ian kept referring to as keeping the heel down, it meant keeping the back foot turned out, at the same time letting the hip follow. It looked much clearer to me that day, even though I looked so awkward during the first couple of times we had to cross the floor. Once we started doing it to the music, it felt more comfortable, and Bran noticed the change. He approached me after the class and told me that I made a big improvement compared to Tuesday's class, and Maui (sp?), whom I had danced with on both days, said so as well.
 
Bran kept reminding me of simple concept that I've learned in theater. Learn, unlearn, and re-learn. Because I got used to taking an open class, even with the techniques I've learned there, there are still so many endless ways of learning. There's nothing wrong with taking a syllabus or an open class, as long as you keep an open mind.
 
Ian's workshop starts tomorrow. I can't wait for that as well.
Posted by tymeless on November 17, 2012 at 01:48 PM | How's my acting?

I was reading the last couple of chapters of "A Little Bit Wicked," Kristin Chenoweth's autobiography, this evening. I loved all the little bits of words of wisdom and advice that she said all throughout the book, and I especially loved this particular one:

It's been said a thousand times, and it's true: if there's anything else you could be happy doing, you should do it.

I've been taking Le Bran classes at Dancing Queen studio once or twice a week, plus one-on-one sessions every once in a while. Julius was out of town this past week, so Bran was the one who took care of me when I came to the studio this Wednesday. He paired me up with Myron, one of their scholars (and the tallest one, at that), and had me learn the Bronze syllabus so I can quickly catch up with the Bronze bar class that will begin this week. Myron and I managed to cover the chachacha, the rumba, and the jive. We didn't have time to cover the samba and the paso doble, but Bran and Val got us to dance and review the chachacha and rumba with the others, and even took a video of it. I was glad that Bran liked that I managed to memorize the syllabus routine in such a short span of time.

By the way, when I was talking out the syllabus with Myron while I was writing them down, I mentioned a term for one of the steps in chachacha, and he said that the term was too advanced already. So when I looked them up online, I realized that Ian was already teaching me stuff from Bronze all the way to Gold, especially for the rumba!

Anyway, so the Bronze bar class will begin this Tuesday, and even though I have no idea how to come up with the money to pay for it (but Val and Bran did mention an early bird discount), I'm really considering taking the class so I won't get rusty until Ian takes me under his wing again.

I texted Ian earlier this evening about taking the classes at Dancing Queen, unless we start the workshop soon. I told him that I had to ask him first, given that I consider him his mentor, despite the fact that he teaches open classes instead of syllabus.

Ian called minutes after my text message, while I was reading the quote by Kristin Chenoweth that I posted at the beginning of this entry. He said that we'll be starting the workshop soon... next Sunday! He said we need to start soon because he really wants me to make my dancesport debut in March. So I need to keep practicing, as we'll be working at his studio with Simon by then. He told me to work on my turns (one of my biggest weaknesses), and stretch my body as much as I can so I can execute splits. I'm somewhat pressured, as this guy that will be my partner had already ranked 3rd in competitions.

Yikes. Can I do this? I'm excited, anxious, and nervous all at the same time!

Posted by tymeless on November 4, 2012 at 10:12 PM | How's my acting?

It's been a while since I had a free Saturday to myself. I miss having full weekends just lounging around in my room.

In my last post, I had mentioned taking the Le Bran class. I went back the following Friday, with JB in tow, as she wanted to try it out as well. I'm glad she enjoyed it, and I do hope she comes back to attend more classes.

After Le Bran, I had a little breather, changed my sweaty top, and started my one-on-one class with Julius. We did a review of 4 of the 5 Latin ballroom dances used in competition (rumba, chachacha, samba, and jive), then spent the rest of the hour focusing on my footwork and hip movements in chachacha. I have lousy footwork, especially when doing the New York and the time step, plus I haven't developed the high hip, as my hips automatically drop all throughout a dance.

I know it's wrong to compare, but I noticed the similarities and differences between my 2 teachers. They're both perfectionists when it comes to technique, but they have their own ways of being strict with me. And both of them even text me, telling me to keep practicing.

Anyway. In other news...

Last Saturday, our clique is now one more bachelor down. Aris married Karla in Tagaytay, and a bunch of us trekked all the way to the venue, no matter how misleading the maps provided were, hahaha. I lost my voice all week due to cough, but I had enough vocal rest to get me through that day, as I was tasked to do the first Liturgical reading, along with Iam (responsorial psalms) and Ramon (second reading).

What amused me at that wedding was that the world keeps getting smaller and smaller. I already knew that Chinie is one of Karla's first cousins, but I saw more familiar faces. I saw Isabel, a classmate from my first couple of terms in CSB, plus Jayar, a fellow technical theater major.

Hilarious reception, as Seph (as best man) and Josh (as one of the groomsmen) had to give a speech. Knowing Aris' history in our clique, they had to tiptoe around certain stories, but with their wit, they pulled off their speeches real well. The only thing that we regret seeing that evening was watching Aris dance the jive that I've taught him, Karla and Tito Fred. Hahaha! Some things just cannot be unseen. But I'm glad Karla and Tito Fred's part of the dance was done well.

I was supposed to attend Le Bran and take another one-on-one class this past Wednesday, but because I still had an uncontrollable cough that went along with my lousy voice, I couldn't go. I didn't want to risk coughing all over the place.

I did come back yesterday, Friday. And because Opa wanted to learn a little bit of ballroom for the play that she's doing, I got her, with her sister Hannah (Joanne?) in tow, to attend Le Bran. I sure hope they enjoyed it, and I also do hope they also come back. When Bran had approached us after the class, I introduced them and he said that he had noticed that they seem to already have certain dance backgrounds already, moreso with Opa's sister (ballet).

They stuck around the dance studio while I had my one-on-one lesson with Julius. We just focused on the chachacha that day, still working on my crazy footwork. I think part of the reason why I can't get certain things right because I grew up with feet mostly turned in, hence my lousy turnout and bad footwork for the New York. Plus there was too much to take in in such a small amount of time. I have to consider where I put my weight, how to push the floor with my feet, how my hips move, where my feet and upper body goes, and of course, the fact that I have to respond to my dance partner's push and pulls on my hands and arms. During a couple of times, Bran even walked over to us and assisted Julius, and there were some things that were a lot clearer to me. And of course, he also reminded me of the never-ending lesson of learning and unlearning. I learned something new that day about terminology, plus how the lock step was done correctly.

I remember posting a little realization on Twitter yesterday, about why Ian kept telling me over and over again about keeping my heels down when doing the rumba walk. It's still very essential when doing the chachacha, because that's what I needed to work on for the New York, as well as for the time step.

After the class, Julius had mentioned the syllabus competition next month, and told me that I should try to join, even just for the solo event. Eep, I don't think I'm prepared for that, so I told him that maybe I'll just watch. He then said that he'll just see how I'll turn out before then.

I still miss Ian, though. I miss his classes despite the fact that it's open instead of syllabus. I miss the fun factor when I attend his classes, plus we get to talk and somehow bond afterwards. I guess that's why I can't wait for November. I really hope that he really follows through with the workshop that he mentioned. In the meantime, I'll just take more classes at Dancing Queen until I go back to training under him.

Posted by tymeless on October 27, 2012 at 08:34 PM | How's my acting?

So I lost my voice again. This sucks. And I have to go back to work tomorrow, plus I'm getting back in shape before my teacher takes me under his wing again next month. So I'm going to be mute when I take another dance class tomorrow.

 
When I was at the nationals last Saturday, Julius invited me to join a class at this dance studio in Makati Cinema Square. I was curious, but not quite yet. Then Ian told me (as a comment on one my photos of the nationals on Facebook) that we start my workshop with him this November, and possibly with Simon, the partner that he found for me. Well, that's what he said.
 
Of course, I didn't want to just sit around idly waiting for that. I needed to practice so I won't get rusty. And because there wasn't a ballroom class at Big Shift this season, I decided to ask Julius about that class that he mentioned. It was actually a dance fitness workout class held everyday, so I clocked out early from work yesterday to check it out.
 
Dancing Queen studio was still closed (like the rest of the shops) when I had arrived at MCS, so I waited until 10am, when Julius and his co-worker, Brando (who was the one conducting the class), arrived.
 
I got introduced to Brando and Val (the nice lady who gave me a flyer and a form to fill out), and then class immediately started, with me only having enough time to quickly strap on my shoes.
 
The dance fitness workout is called Le Bran, and like Zumba, it's focuses on fitness, weight loss, toning, and all that jazz. The only difference is that it's actually designed from the Latin ballroom dances. And yes, you probably guessed it, the one who designed it was Brando himself. During the class, I was back to dancing the rumba, the chachacha, the samba, the jive, and even some salsa. Super fun!
 
After the class, I got to talk to Brando, Val and Julius about the Le Bran sessions plus the other ballroom dance classes, and I couldn't believe my ears when they said that I've got the potential. They had noticed I knew most of the 5 Latin competition dances (I haven't been taught the paso doble), and they had assessed that I can easily catch up with the Bronze bar level class next month if I take special classes now with Julius. Wow, a syllabus class. I never experienced a syllabus class because I'm the only regular student at Big Shift while the rest just come and go, so Ian just teaches an open class.
 
I'm coming back tomorrow for Le Bran and a class with Julius. And if the price is right, I might keep this up along with Ian's workshop to prep myself up for my first competition ever.
 
In other news, due to a cough, I lost my voice again. This is the third time this year. I don't really mind, really, but it means clocking in less hours at the office, when I need to be earning more to pay for classes. Plus I'm doing the first reading in the mass of Aris and Karla's wedding. What a lousy time to lose my voice.
Posted by tymeless on October 18, 2012 at 08:56 PM | How's my acting?

Last month, I got to watch A Chorus Line (the 1985 film) for the first time.

Of course, we all know the story of the play. Chorus dance auditions. Precision, moving as one. Then there's Cassie, a dancer in need of a job, but she was told that she was too good to be in the chorus. When she was allowed to audition along with the rest, she couldn't blend in at first.

That's when I started thinking about it. I took all those theater workshops, and I was just content to just be cavorting in the chorus. Did I really want that?

Then I started watching dancesport competitions. Last Saturday was the second competition that I got to watch. You had to dance your ass off in order to be seen. No blending in with the rest of the dancers. You just have to keep showing off what you can do best.

So yeah, I went to watch the 16th DSCPI National Championships at the Ninoy Aquino Stadium last Saturday. I was glad the venue was closer this time, so it's easier to go there. I went by my lonesome, but I didn't really mind. At least I get to sit anywhere I want if and when I need to transfer, and don't have to drag anyone along with me.

The first part of competition was the Standards, so I didn't have to rush in the morning, because I wanted to see all of the Latin events. But of course, it was still a delight to watch the Standards because of its elegance and beautiful dresses. But I still don't get why anyone would choose a color like neon orange, neon pink, neon green, or even florescent yellow? Aside from the fact that you really will stand out in those, I mean.


Another thought that came to mind that day was that I actually enjoyed my anonymity. Like in the local theater scene, practically everyone knew everyone else. In that venue, I felt like an alien in another world. Every time someone would pass by, even in our area for spectators, someone would wave and say hi to a whole bunch of people. And there was me. Someone who sat next to me did ask who I was watching. I mentioned the name of my teacher, and he instantly knew who I was talking about. Of course, he did assume right away that Ian and Bon were actually twins, and I just had to laugh.

Then there's also the fact that you have to compete with your friends. I wonder what that felt like, considering that you both want that pretty trophy, or at least rank the highest that you can possibly can.

Pushing that last thought aside, it amused me how supportive everyone can be. By the time the Latin part of the event rolled around, a lot of people started cheering for the participants, shouting out their numbers all throughout the events.



For this competition, they added a Latin Wheelchair event, which totally amazed me.


Even in those wheelchairs, those dancers rocked the floor! There was even one couple where the guy in the wheelchair managed to somehow wheel over his partner while she was on the floor during one dance (was it the jive?). Everyone went crazy and cheered when they saw it. Too bad I didn't get to take a video of it.

Ian and Ate Helen placed 2nd in one of their 2 events (Special Event 2F C: 3-dance). The couple that came in first had a plus-sized girl that I had actually been watching since the midyear ranking. I admired her because even though she was plus-sized, she danced as fiercely as the rest of the skinny girls, and she made the champion title. And who said that just because you're skinny and pretty, you can have them all?

In the other event that they were in (Special Event 2A: 5-dance), Ian and Ate Helen placed 4th, while Bon and his partner Beth came in 2nd.


This is only the second time that I watched a dancesport competition live, and I always leave it inspired. It made me feel a little more excited when the time would come that it would be my turn to compete.

I found Ian, Ate Helen and Bon outside the stadium after the whole event, so I said hello and congratulated them. Ian then told me that he already found a partner for me, and that I resume classes with him soon to prep up for next year's first quarter ranking and competition. My golly, he really wants me out there by next year. So yeah, after brief exchanges on Facebook after I had posted photos and videos of Saturday's event, I start next month. I have 2 weeks to get back in top shape before I go back under Ian's wing. Let's do this!

Posted by tymeless on October 15, 2012 at 08:09 PM | How's my acting?
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